石榴直播

KENNESAW, Ga. | Aug 24, 2021

Presented through a despairing lens, works selected ask for empathy, suffering, and sacrifice

A part of 石榴直播鈥檚 School of Art and Design, the Bernard A. Zuckerman Museum of Art will present two exhibitions this fall. Curated by Cynthia Nourse Thompson, Director of Curatorial Affairs, 鈥淭his Mortal Coil鈥� and 鈥淭he Labor of Remembrance鈥� will open on Saturday, Aug. 28 and run through December 11. The public is invited to an opening reception on Saturday, Aug. 28, from 4 to 6 p.m.

"The two exhibitions are interrelated in dialogue, as they seek to mitigate emotional suffering and mortal pain. This imposing presence of fear and loss is compounded by images, which while beautiful, are laden with sorrow and despondency,鈥� explains Thompson.

Shared Universal Causes
Works by 17 prominent contemporary artists in 鈥淭he Mortal Coil" introduce a visual dialogue as the images are, at times, presented through a despairing lens, pleading for empathy, suffering and sacrifice as shared universal causes. Mortality and loss may be seen in Martha McDonald鈥檚 鈥淭he Weeping Dress,鈥� a crepe paper garment hand sewn and dyed according to Victorian mourning rituals. Thompson notes that the work 鈥減rovides a remarkable glimpse into the first year of a widow鈥檚 bereavement process of that era.鈥� 

Busy Hands
Piper Shepard鈥檚 elaborate floral lace veil, 鈥淥nly their Silhouettes,鈥� shows an attempt to forget disparaging feelings, even while echoes of the departed reveal themselves as cast shadows of Victorian mourning flowers. The devotion and dedication to painstakingly hand-cutting the lace acts to mitigate the pain of loss. 

The Tie That Binds
Oscar Mu帽oz addresses similar themes of vulnerability and loss. In 鈥淟a Linea del Destino,鈥� the artist observes the reflection of his face in a pool of water and watches as it seeps between his fingers and slowly dissolves. Louise Bourgeois鈥� 鈥淒o Not Abandon Me鈥� presents a single female figure watching as her child hovers on the verge of dissolution. An umbilical cord tethers and unites the two, serving as an underlying theme binding the two exhibitions as an uninterrupted whole.

Fear of Abandonment
Imbued with familial history and youthful memories, 鈥淭he Labor of Remembrance鈥� presents 21 works by Louise Bourgeois, focusing on prints and textiles ranging in date from 1998 to 2005. In her fabric works, she deftly reconstructs and recontextualizes household textiles such as dishtowels, curtains, and used garments into artists鈥� books. The dimensional compositions serve a purpose for Bourgeois. 鈥淚 always had the fear of being separated and abandoned. The sewing is my attempt to keep things together and make things whole,鈥� she explains. 

A Fond Look Back
Thompson adds that Bourgeois鈥� prints 鈥渃ourageously explore the traumas of her childhood best through her intense depiction of the body and the amputated body.鈥� Bourgeois鈥� fondness for familial nostalgia allows anxiety, fear, helpless, and insecurity to be fully articulated. Mounted during the 20th year after 9/11, the combined exhibitions ask viewers to mournfully reflect on unbearable suffering, both individual and collective, and the frailty of the human condition. 

Artists featured in 鈥淭his Mortal Coil鈥� include Janine Antoni, Louise Bourgeois, Sonya Clark, Gail鈥疍eery, Carson Fox, Markus Hansen, Donna Smith Jones, Anders鈥疜ris谩r, Rosemary Laing, Pixy Liao, Roberto鈥疢annino, Martha McDonald, Oscar Mu帽oz, Tony鈥疧rrico, Dario鈥疪obleto, Piper鈥疭hepard, and Anne Wilson.鈥�  

All exhibitions are free and open to the public; reservations are recommended. Additional programming is also available. Learn more about the Zuckerman Museum of Art  and the College of the Arts. 

--Kathie Beckett